La première bible du tatouage fine-line avec les dernières tendances.
Depuis une dizaine d'années, les microtatouages sont de plus en plus recherchés et permettent au tatouage de se diffuser auprès d'un public plus large. Ce livre présente les réalisations d'une nouvelle génération de tatoueuses et tatoueurs pratiquant le fine-line dans le monde entier, dont les Français @leamati, @garaumarcos et @tarie.mattoo. Il réunit par ordre alphabétique ces trente-trois artistes, propose une sélection de leurs plus belles oeuvres, ainsi que des entretiens avec, entre autres, Eva Karabudak de l'Atelier Eva, Soltattoo et Edit Paints.
The successor to bestselling Micro Tattoos - 9789401488594
Fine line tattoos have finally broken through to the general public
With the collaboration of the best fine line tattoo artists in the world
As a comprehensive sequel to Micro Tattoos, this new book delves deeper into the ever-evolving realm of fine line tattooing, whether big or small. Fine line tattooing uses small needles (often a single needle) to create a thin, delicate, intricate tattoo design. Today's tattoo aficionados possess a wealth of knowledge about contemporary tattooing intricacies, setting higher standards for quality and artistry. They favour bespoke creations over mass-produced flash designs, meticulously selecting artists capable of manifesting their visions. But in an era where numerous skilled artists produce top-tier work, standing out in this competitive arena - and facilitating the perfect artist-client match - has become more daunting than ever.
Fine Line Tattoos rises to this challenge by highlighting international tattoo artists who have successfully broken through the clutter and carved out distinct identities in this bustling landscape. Tattoo artist Sven Rayen and designer Ti Racovita thoughtfully curated an array of both small and large-scale pieces. This publication celebrates the innovation, creativity, and technical finesse that epitomise the finest examples of fine line tattooing from all over the world.
